tyrees is an up and coming, london born and bred producer and dj with a heavy focus on breaks, bass and pads. his sound pays homage to and is an evolution of the elements that were so crucial in the uk dance music scene throughout the 90s and onwards. his love for hardcore, jungle and drum n bass of the early to mid ‘90s is principally important to the formation of his style. producers like tyrees are taking full advantage of the current wave of innovative and experimental styles of electronic dance music. with great respect and adoration, tyrees is combining percussive elements, rhythms, structures, samples and tempos from many genres and eras, creating familiar but fresh, unique and exciting sounds. aside from electronic dance music, tyrees is deeply interested in a broad spectrum of musical styles, notably the many sub-genres of jazz, soul and funk from the ‘60s and ‘70s, hip hop culture which was so heavily inspired by this music, and anything else from rock and orchestral pieces to world music and obscure osts. this obsession with music is apparent in the overall sound of his productions. “tidy” is a smooth and subtle journey through beautiful sample based pads, chopped breaks, synth lines and vocal samples. it is a gradually rising force, evolving with delicate bass and synth tones and a mysterious vocal narrative. it effortlessly transitions into a melodic latter half, concluding with a climactic, explosive drum

holy smokes batman! brand new label straight outta mcr here as esteemed clubnight house of wax launches a new, vinyl only imprint entitled jupiter s melody. what a coup for this debut release - the drop are a london based, 9-piece reggae band operating since 2009 and with a soundsystem informed mentality. fitting then that soundsystem operative, ukg legend and accalaimed bass music progressor djrum is enlisted on remix duties to take these uk reggae skankers into the club for some grooving 2-step business. felix manuel has a storied history across uk dance music, most notably through releases on the iconic 2nd drop records and a much lauded resident advisor mix. -looking to the sky- is that festival burner you wish you d have packed for the summer just gone. gliding in on waves of undulating bass, punctuated by a typical but none less arresting 2-step beat, the rastaman vox from the drop fit so well you won t actually believe it s a remix! deep, emotive and beautifully poised, its retroist in many ways but this only adds to the warm and welcoming nature of the track. the flip is more introspective, and in someways melancholic, but with a massively uplifted message. again, taken from a completely different og piece (check youtube for the drop s original vid), the vocal sits perfectly in another crisp and frenetic take on the ukg beat. this side builds slowly, with a defined song structure and lush musicality, never quite climaxing but simmering gently with a mindful glow. appearing out of nowhere and instantly having us climbing over each other to see what was playing, we expect this to be a big smash here in manchester over the coming months. if you ve felt something missing in your life since mj cole, zed bias and todd edwards last released summat, then you could do much worse than adding this to your collection! limited copies so get those orders in quick folks...

the second release from ftp explores the sweet spot between detroit ghetto-tech, juke, and jungle. the opening track, “phonky no. 69,” is designed for maximum level booty dropping effect. it starts with a raunchy vocal hook over a booming electro beat, before unleashing nasty breaks, at which point the dance floor is guaranteed to pop off. handle with care when deploying this bomb, the first release from dj dr-660. the second track on the a side paces upward and into juke territory. it fills up the sonic space with lush pads and crisp jungle breaks, before breaking down to thick rhodes chords, in eternal rashad fashion. the b side opens with a track from the mysterious newcomer shadow moses, who teases with some euphoric pads, before launching a massive lardossian missile that heads straight for the booty. the compilation closes with a electro beat executed with surgical precision and care, filled with hypnotic percussive elements and a life-affirming baseline. it was lovingly distilled and synthesized in frankfurt directly from the detroit source.

dub-stuy welcomes up and coming producer blind prophet for a conscious dub release in collaboration with russia’s tenor youthman and italy’s numa crew. long island, new york s blind prophet makes his debut on dub-stuy records alongside the vocal talents of tenor youthman , one of the founders of russia’s lion posse sound system. ‘ marijuana burns capitalism ’ is a deep and meditative social statement sure to move the dance and stimulate the heads. on ‘marijuana burns capitalism’, blind prophet lays down a solid riddim, with a deep driving bassline and a bubbly harpsichord skank, for tenor youthman to sing about the liberating properties of hemp in fighting the evils of mass production and capitalism. the result is a simple and effective cut backed by a sparse dub that lets the drums and bass roll out to full effect. the flip side sees florence’s numa crew deliver their own fire for the dance with another straight to the chest dub version that focuses on the bassline and tenor’s unique vocal style. a 12” for the massive that continues the uplifting sound system music dub-stuy is known for.

jesse pimenta is a brazilian-born, la-grown artist who has previously released on nous disques as well as on his own private selection imprint. side a brings two slamming cuts fit for all-out dance floor annihilation whilst side b delves into more psychotropic yet punkish zones.

you see, vin and hny have history and to make this marriage official we needed it to be just right. big daddy vincente might be known around the world for his sure-fire dance-floor bombs, but not as commonly known for his queer ally reputation in san francisco. using his production prowess and dj knowledge to help bring up the bay area gay dance scene has built him a fanbase of all walks of life. we think this might be his most accomplished musical work to date, not just because it is for our label, but because it s a labor of love. the ep reads like a metaphor for the two sides of the city where it was made. moonchild and electrical storms reminisce the mystical and spiritual love affair san francisco has had since the 60s while patronize and bondage taped reference the sexually adventurous side the city indoctrinates to all its visitors. this record feels big to us and mostly because it reps our home and a hometown hero so hard. enjoy.

this time is ricardo rodrigues aka industrialyzer who lands on the court of damon wild with three tracks perfectly aliened with the label s philosophy, synewave has been at the service of real techno for over 20 years. it all begins with analogue planet a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. the second track, -multiple walls-, carries the flavour of an old school small march with a hammondesque synth which revolves around the groove from beginning to end. the atmosphere becomes dark and acid in the third and final track on this release. orbit x is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. with this release industrialyzer reminds us that, after all, new york, detroit, chicago, berlin, amsterdam or lisbon dont really matter, quality techno is a global affair and synewave consistently confirms this with releases above all schemes, movements and trends. monumental.

the final installment of scott ferguson s black boxx series on his own detroit imprint, ferrispark records. 3 more untitled raw and emotional sampled based gems plus an acid house dance floor destroyer! black boxx goes out with a bang...=

after unleashing the enigmatic middle eastern funk bonanza the nile files earlier this year the fossils crew return to western shores with a new ep from uv & nen , revealing long forgotten newly interpreted disco funk nuggets that are bound to become classics in their own right. with newly recorded synths, vocals and nasty bass-lines thrown in the mix, the bump s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... trust us - this bad boy has been tested on dancefloors from new york to tel aviv to london s boiler room until finally finding its way to the pressing plant. love makin is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by beatcoin , a steady slow stomper that will get booties shaken & shaking across the dance floor. as with the previous fossils release, these are all killers and true crate essentials for the seasoned djs.

after delivering the 8th polybius trax’s release under myriadd s alias, craig stainton strikes again. and this time he does it under the name of mantra with 4 tracks of jackin , acid house and acid techno. besides publishing as mantra in mythical labels like bunker, solar one music and abstract acid, he has done so in djax-up-beats, crème organization, chiwax, gnosis, boe recordings and many more with his other alias and projects: acid phreex, craig stainton, monofonix, myriadd, modular men and nite vision. with this ep and with its predecessor in the label -a new day- (pt008), shows us of his mastery in the art of invoicing dance music under the different strands of acid.

georgian producer rhythmona has graced anti skate with a contemporary take on digital melancholia. on the debut ep, high roller, their raw production channels a signature elevating dance energy. the mechanical vocals and ethereal soundscapes are capable of bringing out every strain of empathy in listeners. a record for the dance floor and the night tube alike.

the second reference of mostly records only vinyl includes jorge savoretti as flafour project, pedro d’alessandro from the underground córdoba city scene. our friends from rosario, uefr, presents their covert participation on this release and finally, to open this reference, the founders of mostly make an exquisite collaboration for the dance floor.

for the past two decades, ivan smagghe has perfected the art of making spaced-out clubbers dance, has ridden a fine line and run his label les disques de la mort. rupert cross is a london-based composer who has worked with michael finissy and julian anderson as well as writing music for television and theatre. before/after ma, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. s&c give you the tracks codenamed timothy dalton (according to ivan, the laser sound in the track reminded us of flash gordon). neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. to nurture this proto-album, the duo also called upon the talents of tim felton, the outstanding guitarist from the cult band broadcast.

blue hawaii is the songwriting, production, and dj project of raphaelle ‘ra’ standell and alexander ‘agor’ kerby. after some four years apart, the duo rekindled their creative flame in 2016 and begun writing music about an intimate relationship ra was experiencing mostly over instant messaging, sparking ideas about the meaning of closeness in our highly connected world. tenderness is a concept album which brings forth the challenges of handling relationships online. maintaining closeness over distance and a need for more tenderness between each other - both in real and virtual life - are important themes in the album s progression. the album draws upon influence from 90 s dance tracks and deep disco cuts, often mixed with ra’s acoustic guitar playing. it unfolds like a play and each song being supported by shorter interlude pieces: skits, phone calls, acoustic demos, real life samples and quiet left-turns.
the vinyl release includes a download code.

felt sense recordings delivers a four track compilation for its second release - moving and brooding techno par excellence from the local community.
an archive of a locality, the indirect but palpable influence felt by musicians of a similar ilk occupying the same city. transient experiments in dance-purposed electronics indelibly committed to wax.

swiss producer adriano mirabile has written and remixed a string of infectious house tunes for a handful of labels from bleepsequence up to his most recent offerings on senzen and sirion records. we are pleased to present his sophomore stasis recordings release in vinyl form. two for the dance floor.

somne debuts on just this. the italian producer, whose real name is federico maccherone, presents his first release of 2017 – a solo ep marrying the same ethereal, wide-angle synthesis and intricate drum programming that appears on standout work for boddika’s nonplus imprint and the afterlife label. more than ever, maccherone shows his range – rolling, meditative recordings sit comfortably alongside some more overtly dance floor material, with both approaches bound by the same high-end production values listeners and dj’s alike have come to expect from the somne project. in various ways, the ep offers a certain degree of insight into maccherone’s dual identity as a producer of both clinical, dance-floor fare as well as a cerebral, leftfield work – and in turn, how the artist draws together these two strands of creative endeavour to craft unique and profoundly emotive electronic music. nods to classic idm and ambient sit at the periphery of the recordings, although the main focus is on the propulsive, contemporary techno derivatives – from warping, half-time opener divided love, with its crisp, white noise washes and clinical use of distortion – through to endgame’s exacting, peak-time drive. and whilst the form shifts across the ep from half-time, polyrhythmic work to more direct 4x4 compositions – everything remains bound by the same exquisite, otherworldly atmosphere that touches on the grandiose whilst maintaining a gloriously introspective bent.

on his new album, i have what i gave, italian musician bottin outdoes himself. he crafts propulsive, disco-laden scores for films not yet made, and introspective, mind-expanding cuts designed to ensure that people who want to dance never get caught up in conventional experiences. each moment with bottin is a memorable one.

the latest installment on roam recordings features nozz aka damon jee aka jérôme da silva. most known as damon jee for his widely acclaimed remixes, jérôme has been branching out with outstanding originals under his nozz alias. in his misfits ep for roam nozz delivers two excellent new productions. the title track is a cool rock infused guitar laden stunner with class and attitude while hippy home is a dreamer of a tune perfect for greeting the sun or losing yourself in a closed eyed dance session. the misfits ep comes with two top remixes from the emperor machine and autarkic. the first remix is a tour de force performance with a sound that is unmistakably the emperor machine – intricate, dubbed out, lasers, and superb production. autarkic s version of hippy home adds an eclectic edge to the ep with a cacophony of orchestral and quirky sounds that somehow perfectly keep in line with the stripped down feel of this remix. the misfits ep brings together three artists at the top of their game and is a fine addition to the ever growing roam recordings catalog.

you could be forgiven for thinking bassos (label owner) been hitting the plant food of late. last time out we took a trip with trance, and now our esoteric expert nods his head, rolls his shoulders and drops a house record on our unexpecting asses. thats right folks, roll up the rug, push the sofa back and enjoy some ‚personal growth‘ from james booth. . operating a million miles away from the kick and hiss of the trendy lo-fi folks, the berlin based producer favours subtle rhythms, delicate textures and tender melodies - turning out a string of sophisticated dance floor winners for 100% silk, church and no bad days. now he brings his organic house stylings to the growing bin with a fresh five-tracker packed with all the warmth of a tempelhof picnic on a balmy july afternoon.

japan’s hokuto sato is back on his own aura music with three hypnotic techno-house. on the a side, we’ve got 2 tracks composed of rich layers of concrete sounds and strange voice samples over tight drums and percussions. on the flip “awayuki (light snow)” is a good example of how piano house can be twisted and stripped down for modern dance floors.

50% deal - spazio disponibile welcomes yet another new artist to their realm. this time the label welcomes producer grand river for its 11th release, and one that marks something of a new direction where ambient and experimental music will sit next to more dance floor fare. it s a direction already hinted at with marco shuttles full album earlier this year, and is now realised once more by aimee portioli. she is a multi instrumentalist, soundtrack composer and known for her deep and atmospheric sound and debuts on donato dozzy and neel s label with four lush ambient explorations. across the course of the tracks, fizzing, grainy ambiance makes way for dark atmospheres, then brighter synths arrive late on to bring some light to the shadows. elsewhere, undulating rhythms sway down low as muted keys and strings ripple in the distance. it makes for a cavernous world that keeps you in blissful suspense and overall this ep is a trip through a dark underground cavern with a spring day high up above. as well as this brilliantly cerebral ep, the future will also bring more spazio label nights across the world starting in 2018.

autotomy is a collaboration between belgium s sleeperhold publications, brooklyn-based musician patricia (max ravitz) and the dutch artist louis reith. this output is the result of a long process of contemplation, discussion and elimination which gave us a record that encapsulates both patricia s sense for hardware production and dance floor rawness. describing this release is not a simple task. so we ll just tell it like it is: it s a record that slows down and, in this process, reveals its mystery. referencing the title of this release, wunderkind max ravitz seems to provide the listener with the possibility of transformation, a way to shed part of your own being.

thomas brinkmann is one of the great producers of techno music and modern dance music. he initially gained notoriety in the experimental electronic music and techno community for his full-length variations of material by wolfgang voigt under his mike ink moniker, and richie hawtin. the variations were made by playback of the original artist records on a turntable of brinkmann s design, which has two tone arms with separate outputs for left and right channels. the turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. both voigt and hawtin were sufficiently impressed they released the results on their own labels. since then thomas brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by thomas brinkmann himself. there are unreleased tracks, different versions, and tracks that have never been released on vinyl. a full colour 20-page book with track notes by thomas brinkmann and photos from his personal collection is included. limited edition box. highly recommended! ean4050486123461

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in...
the relief sevensixty ep has been legitimately released with the full involvement of jaime read for 2017 and remastered by london’s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

sound-tracking her unerring dedication to living and breathing dance music and club culture around the world, classic music company presents this double 12” to accompany honey dijon’s debut artist album ‘the best of both worlds’. featuring collaborations with the most relevant artists that dance music has to offer in 2017, the album is one of the most anticipated events in this year’s house music calendar, preceded by honey’s bbc radio 1 essential mix, relentless worldwide touring demand, international media attention and three critically-acclaimed lead-up singles.

just jack are back with more fire, this time from brooklyns tape hiss. synth heavy, acid led grooves are the order of the day on the 3 originals, with panoramabar s massimilliano pagliara providing some serious dance floor heat on the remix.

volume.3 of the black traxx series with finest disco house tunes

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

summers here! ransom note records continue their search for the finest dance music from planet earth with a carnival-ready curveball of a new release the sleazy, playful ghanaian afro-ghetto-techno-pop that is brytes word-of-mouth classic i like your girlfriend. originally surfacing on a couple of youtube dance videos, the shitty quality video rip of brytes bizarro lyrics leaping over gafaccis impeccable grime-meets-afrohouse beat has been a much-loved secret weapon in the sets of djs that know for a minute now - bok bok, mixpak and gang fatale have all supported heavily. coming from accras booming azonto dance scene, where tracks are knocked out in makeshift home-built studios then swapped through social media apps on smartphones, a proper release of i like your girlfriend has long remained a holy grail. now, after months of searching, several western union transfers, hundreds of whatsapp messages and no lack of determination, ransom note have finally managed to legitimately sign the track, and are all set to give a modern classic the 12inch release it deserves making history with what is quite possibly the first azonto track to be released on vinyl. alongside brytes crazy vocal version, the release features the original beat from producer gafacci its bouncing techy minimalism carving a unique path between techno, house and uk funky that defies genre with glee. vinyl buyers get a special bonus brytes acapella, coming in at 128 bpm, is the perfect mixing tool

version galore is a newly found label, deeply rooted into the music culture. we are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring -808-kick boosting- biz! on the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - opolopo. he knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that s the case with the two cuts he prepared for us on this records. things escalate fast. on the a-side you will find originally a midtempo mild jam -go get it-, which is turned by opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike. it s one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what! the b-side is all about the raw and emotional funky madness of -american promise-. it s infectious groove, pinpointed with growling sub-bass is just devastating. epithets are irrelevant here - just play it loud, but with caution! -version galore - play some more!-

teaming up again with the master of junglist vocals – mc fats and employing the classic soulful vibes of legend cleveland watkiss, break created a full vocal single, with both artists featuring on both sides. we are the people weaves mellow and uplifting piano chords with a strong verse from cleveland, switching to fats for his lick to cut into a heavy drop. weighty wobbling jungle subs, peppered with warm synth bass melodies carry this summery roller through, with both vocalists complimenting each others flavours stylishly. a blissed out dreamy breakdown gets you chilled for a switch back to the second drop bassline, going low and long with the subs. a chilled summery feel good vibe, with some backbone!
midnite classic, rolling in a heavy reggae skank loop for the intro sets a great backdrop for cleveland’s very catchy lyrics and melody. switching to fats for a minimal dnb build up and dropping with his renowned vocal style cutting over the bassline on a junglist style drop. a classic old skool feeling but still with a fresh modern edge, this is an addictive club tune, capturing raw vibes that are always needed in the dance.

once again, providing a context for exciting new producers to release their debut 12”, cold recordings is proud to now bring you ‘cocktail party effect’. hailing from a musical family eric baldwin, the currently berlin based but british producer, shows off his colours here with a diverse, rhythmical, experimental – but always dance floor savvy – ep of 4 killer cuts, all rolling out between 125-130bpm.

stonedwave presents the latest ep offering from jochen heym, „sonoaut“ on snow white vinyl limited to 300 copies. bridging the gap between hardcore, drill and bass and braindance on tracks like exit vessel and init conversation the artist creates dadaistic piano arrangements that meet talking funk basslines while the tracks are still heavily rooted on the dance floor.

mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-nrg and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. aligned with dj hell in the 90s and more recently the intergalactic fm crew, hes the quintessential selector. a life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. however, mick isnt adverse to the odd outing on vinyl, having previously appeared on international dj gigolos both solo and as the kinky lovers with sometime partner isabella venis, but these moments are few and far between. for this release on arma, mick has given us two edits that speak to his distinctive style as a dj the original tracks are cult choices re-moulded into deadly, subversive club weapons. the brooding darkwave of himmelfahrt 89 is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while stay silent pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. these arent crowd-pleasing dj tools, and neither are they slick and easy edits of obvious classics. this is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds youve never heard before. the mastering on micks edits was undertaken by none other than dutch electro legend rude 66, while the striking artwork on the sleeve sees arma reach out for the first time to french artist judex. the nerve-shredding, broken op-art assault was originally found in a book published by cult illustrator sam rictus.

limited to 300 copies
for their second release, 12th isle proudly fling blubber tottum into the waxen sonic abyss for your full listening pleasure. the inaugural lp drubbed from the glaswegian machines of cru servers is perhaps best framed as what it would sound like if early life took its first steps out of the primordial gloop, dragged itself ashore, decided to make dance music and discovered they had a knack for it. it dangles precariously in the fault lines between discordantly melodic rhythm tracks, steadily paced chaos and swamp-soaked bass oddities. laden with eerily familiar samples yet always in a world of its own.

infused with minty flavours this next blend brings raw grooves, warm baselines and uplifting melodies. crafted with love they make the perfect accompaniment to twilight settings, tracks supplied from mattiik (uk), slim steve (italy), dos (austria) and james henry (uk).

tbd, the decade-old project from doug lee (an-i) and justin van der volgen, is back! known for their set-defining big room monster jams, below sees them on a deep, heavy and very trippy analogue tip. synths wheeze and bubble while a thick syncopated bass and a giant kick drum keep the proceedings firmly locked to the dance floor. on the flip, legendary japanese dj and producer dj kent steps up on remix duty under his the backwoods alias. building off the original, he adds sharp percussion and tastefully refocuses the track, creating a perfect complimentary mix to the a-side.

love & loops is back ! after the 1st release the label commanded by ale castro returns to the ring. the 1st track of the vinyl belongs to the young argentine talent gruuv who drop a super groovy tune to start shaking the dance floor. then ale castro finally release his improvisation on the synthesizers, a classic of jackin house in his presentations, now available to the whole world. side b kick off with the very well-know german producer dotstripe, who continues the synthesizer madness with a full groovy track with vocals that remind his old school roots. last but not least, bs as deep delivers another sick tune with his classical house sound, perfectly to close this 2nd various artists, a bunch of tools for any kind of dance floor, music made with love, loops and some random machines.

lawrence kurt is back on wats records! another two great pieces of pure melodic techno who will set you lost in the space during crazy nights on the dance floor. both tracks are a trip between heavenly melodies and industrial drums.

first release from the beat catalogue serie which is focused on new artists. all music produced and mastered by kevin skyler. electronic delight ranging from dance to experimental style

next up on the influential artreform records label is the boss himself, aka kyiv-based dj and producer yevgeniy joss. often turning out tracks that sit high in the juno and decks charts, joss has a high-quality sound that ranges from slick tech to deep house and now he proves that once more.
up first is smooth, an infectious groove with lively synths scurrying about and bringing lots of dynamism to the drums. the percussion is crisp and the whole thing feels spaced out and futuristic. it’s busy and brimming with energy and will get any floor on its toes. sharp is a darker number with more menace in the drums. they are rubbery and supple and run through with edgy little synth lines. the track grows wilder as it unfolds and will really work dance floors into a lather.
once again the master joss shows just why he is such a tastemaker in the underground dance scene.

following the first two elegiac notes to our dear lost cindy, palmbomen ii s third dedication arrives with the last 12inch available independently of the four piece set and a new episode of real talk. throughout memories of cindy pt. 3, voicings from the palmbomen ii paradigm are pared down to their vascular essentials. pumping iridescent, melodic acid house through club fog and californian smog on ultimate lovestory fantasy, teleac, and disappointment island, the nearly hymnal qualities of wilcos funeral and fat director counter the dance cuts and commemorate cindy with colors reminiscent of schmoelling-era tangerine dream as twisted by kai hugos melon

mst032 cute heels. this 4 tracker ep comes strait from the white mountains of bogota after transmissed to the dark streets of berlin. after a mindblowing 12inch on darkentries cute heels delivers a new one for moustache records. this 12inch listen to the name bella ep a renaissance new wave techno electro banger. dark strings and live feel with enough fist pumping energy for your unisex body machine tekno party.

dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held, renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco, dreamlike passages, vocoder lullabies, and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control, performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.

for the third release on decoder recordings, filip xavi makes his debut to the label. the serbian producer and resident dj of the drugstore club in belgrade delivers four superb techno tracks. all of them are characterized by an obscure sound but directly aimed at the dance floor. the first track wd-4d is a powerful opening of the ep, with its successor aw-fl keeping pace nicely. the b side of this ep can t be ignored, as the opening track he-ap kicks off quite fierce. the final composition named d-ui is an excellent hypnotic dj tool.

the sixth ensemble release is the debut artist ep of rhythm mind, a young leefdaal raised dissident hiding in the belgian capital. he delivers a solid five tracker that will as likely move feet on a peaktime dancefloor as nourish ears during early morning afterhour home listens.

new release from paris based producer ohes, this one is mostly oriented to an exotic and very personal interpretation of dance music, from discoid house to robotic afrobeat, here is a subtile melange of encouraging drums, driving melodies and ritualised sequences.

la bestiole is a tiny little creature that love old and unusual dance music. digging, cutting, gluing, and loving.